Event Information

February  20, 2020

5:30 PM – 7:30 PM

 

– Accessibility –

First floor historic rooms, exhibits, and restrooms are wheelchair accessible. Architectural and preservation concerns prevent us from being able to provide elevator service to second floor rooms, however, interpretive materials are available upon request for our second floor exhibits and displays.

If you have any questions or concerns about accessibility, do not hesitate to contact us.

– More Information –

| If These Walls Could Talk

| Hours, Admission & Directions

| Exhibits and Events

| More about Ginger Geyer

Rise & Shine

An If These Walls Could Talk Performance

February 20, 2020

Doors Open at 5:30 PM

Performance Starts at 6:00 PM

After the success of the first show on February 6, the Neill-Cochran House Museum is excited to announce an encore performance of Jennifer Cumberbatch’s Smash Hit Rise and Shine! 

Rise & Shine features a lively interpretation sharing the history of the Neill-Cochran House Museum, through dramatic monologue, music, and dance by a lively fictional character. Through this performance Jennifer Cumberbatch presents the intersection of history between all the characters connected with the Neill-Cochran House Museum and the surrounding community.  

The performance is inspired by Ginger Geyer’s powerful sculpture Rise & Shine (pictured left).

Tickets 

Students (with ID) – $10 

Friends of NCHM – $15 

Standard -$20

Meet the Artists

Jennifer Rousseau Cumberbatch

Jennifer Rousseau Cumberbatch is a pastor, counselor, actress and playwright from Austin, the owner and founder of JR Cumberbatch Productions, and Cumberbatch Confections. Jennifer is sent out from Agape Christian Ministries, where she was an associate pastor, to found and establish Full Measure Ministries. She has written, starred in, staged and produced several productions, in Austin and throughout Texas. She has starred in her one woman show “R3: Real Life, Real Women, Real Stories”, “and performed as “Sadie” Delany in “Having Our Say, the Delany Sisters First 100 Years”, and Sally Burditt in “The Bluebellies in Austin: Readings from the Travis Country Slave Narratives”. Jennifer worked with and was directed by the late and venerable Boyd Vance, founder and artistic director of the now defunct Pro Arts Collective. The Boyd Vance Theater at Austin’s Carver museum is named after this great artist and visionary and is the inspiration for Jennifer’s Production Company and passion to tell the stories of African Americans, Black people and all peoples with authenticity and depth in the context of the American landscape. A graduate of Brown University and Austin’s Seminary of the Southwest, Jennifer also preaches, teaches, leads retreats, and is a vocalist and published writer.

Ginger Geyer

Austin artist Ginger Geyer grew up in Springdale, Arkansas, attended the University of Arkansas and earned BFA and MFA degrees in painting and art history from SMU. She also has a lay degree from the Seminary of the Southwest in pastoral ministry. Formerly an art museum professional (Dallas Museum of Art and Kimbell Art Museum), she occasionally consults on collection management and architecture. For 15 years she directed artist workshops and curated the gallery for the H.E. Butt Foundation retreat center, Laity Lodge. All of this, plus being a mother of two and grandmother of one have informed her avid studio practice. Writing, serving as adjunct professor at both Seminary of the Southwest and Concordia University, and making art with  homeless people have also influenced her art. For thirty years, porcelain sculpture has been the primary medium for combining her quests into art history, museology, spirituality, and culture. A large body of “not quite trompe l’oeil” works are accompanied by ever-changing narratives. A retrospective of her work in early 2020 at the Neill-Cochran House Museum in Austin takes it beyond the gallery scene into an immersive experience throughout the historic house and its slave dependency. “If These Walls Could Talk” is a collaborative with a performing artist to explore both the privileged  and the enslaved who graced these grounds. More information can be found at www.gingergeyer.com, Instagram and Valley House Gallery & Sculpture Garden in Dallas.